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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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麦肯娜·格瑞丝 梅森·泰晤士 艾莉森·威廉姆斯 戴夫·弗兰科 斯科特·伊斯特伍德 薇拉·菲茨杰拉德 萨姆·莫雷洛斯 克兰西·布朗 库尔特·岳 奥布雷·布洛克维 玛莎儿·乐芙兰 卢克·皮埃尔·罗内斯 伊桑·科斯塔尼拉 艾丽西亚·卡斯伯特森 威廉·伯纳姆·西蒙斯 瑞安·康纳·西蒙斯 丹尼尔·史密斯 哈萨尼·维贝兹·科默 玛克西玛·马斯特斯
一宗牵涉两条人命的严重交通意外，揭开了令人震惊的秘密；一对母女被迫面对家族的伤痕，探索爱的定义，并重新认识彼此。 影片改编自《爱情，到此为止》原作者科琳·胡佛的同名畅销小说。
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吉姆·布劳德本特 佩内洛普·威尔顿 厄尔·凯夫 琳达·巴塞特 丹尼尔·弗格森 纳奥米·维尔特纳 保罗·索恩利 乔伊·理查德森 克莱尔·拉什布鲁克 伊恩·波特 安德鲁·梁 Tigger Blaize 杜吉·布朗 Marvin Brown Bethan Cullinane 特雷弗·福克斯 David Gennard 莫妮卡·戈斯曼 Howard Grace Adam Jackson-Smith Jessica Kaur Braxton Kolodny Sam Lee Brian Male Alyson Mar
吉姆·布劳德本特将主演新片[一个人的朝圣](The Unlikely Pilgrimage of Harold Fry，暂译)。希提·麦克唐纳(《正常人》)执导。该片改编自蕾秋·乔伊斯撰写的同名畅销书
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索菲开始了她作为护理员的新工作，负责上门照顾老年人。她迅速地面对了这份充满挑战的工作的严酷现实。这是一部精准且真实的作品，揭示了一个公众鲜少关注却至关重要的职业。
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