导演：
主演：
上映：
未知
更新：
2024-03-31 12:55:36，最后更新于
1年前
备注：
HD中字
评价：
TAG：
剧情：
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
收起
相关影片
2025
剧情片
英国
斯蒂芬妮·列尼达斯 丹尼·戴尔 Calum MacNab 菲利浦·布化尼克迈耶 丹尼尔·弗恩 Dean Harrison Phillip Ray Tommy Jennifer Lane Leon Dean 珍妮特·库马赫 Dean Christie Stanley J. Browne Jonathan Ralph Whittaker Gurditta Singh 杰玛·吉亚诺斯 Declan Doyle Gus Hudgins Del Cleveland
Marching Powder, which isn’t a sequel to The Football Factory but is inspired by a similar subject,
正片
2025
剧情片
英国
自从金娜拉女王谋杀国王以来，阿贝隆王国便在其统治下陷入黑暗。她的兄弟埃尔德隆王子被流放和追捕，于是加入了一场叛乱，召唤巨龙，试图击败女王及其所侍奉的黑暗诸神。
正片
2025
剧情片
墨西哥
更新HD
2025
剧情片
美国 / 德国
高清版
2024
剧情片
法国
HD中字
2024
剧情片
日本
HD
2024
剧情片
法国
1978年，红色高棉政权邀请三名法国使者—醉心研究马克斯主义的学者、一心求真的务实记者，和满腔热诚、爱抱打不平的摄影师，到柬埔寨进行国情研习，企图向西方说好赤柬故事。政党高层句句歌颂波尔布特崇高的
HD
2024
剧情片
英国 / 美国 / 法国 / 德国
HD
2024
剧情片
日本
HD
2024
剧情片
其它
两位艺术家诺娃和艾丽斯被经纪人勉强安排了一次联合巡演。艾丽斯是一位拥有大批观众的知名明星，但她从未创作过自己的歌曲，如今她的明星光芒正在减退。诺娃则是新晋的前卫艺人，事业蒸蒸日上，但台下的生活却一
HD
2024
剧情片
西班牙
迭戈·佩雷蒂 何塞·科罗纳多 塞西莉亚·苏亚雷斯 乔治娜·阿莫罗斯 Esteban G. Ballesteros Domingo Cruz Leticia Torres Amparo Santolino Daniel Braceli
Leo is a successful author of mystery novels, who writes under a pseudonym. While penning his next
HD中字
2024
剧情片
日本
HD中字
2024
剧情片
日本
更新HD
正在热播
更多
2024
剧情片
大陆
推荐
HD
2024
欧美剧
美国
独家推荐
全10集
2024
港台剧
大陆
独家推荐
全30集
2024
国产剧
中国大陆
独家推荐
全10集
2024
国产剧
中国大陆
独家推荐
全12集
2024
国产剧
大陆
独家推荐
全40集
2024
剧情片
大陆
独家推荐
HD
2024
欧美剧
美国
独家推荐
全8集
2024
国产剧
中国大陆
独家推荐
更新至31集
2024
欧美剧
美国
独家推荐
已完结
